[Free Photographing Egypt: Forty Years Behind the Lens] PDF BY John Feeney – PDF & DOC

SUMMARY Photographing Egypt: Forty Years Behind the Lens

Graphs depict the epic grandeur of Egypt and include historic pictures of Gamal Abd al Nasser s funeral cortege leaving asr al Nil Bridge and of the last Nile flood to come to Egypt as well as aspects of the country rarely dealt with previously the uniue domes of Cairo the extraordinary multicolored pavilions of the Tentmakers Street the gathering of ja.

FREE READ ¹ E-book, or Kindle E-pub î John Feeney

Photographing Egypt: Forty Years Behind the Lens

John Feeney arrived in Egypt in to make a documentary film intending to stay for one year and staying forty Photographing Egypt brings together some of his now rare color photographs of Egypt taken over the past forty years and displayed in a major retrospective exhibition of his work in March at the American University in Cairo s Sony Gallery The photo. Yom Kippur As Manifest In An Approaching Dorsal Fin photographs of Egypt taken over the dictionnaire-des-onomatop-eacute-es past forty years and displayed in a major retrospective exhibition of his work in March at the American University in Cairo s Sony Gallery The photo.

John Feeney î 9 SUMMARY

Smine blossoms in the Nile Delta the search for the elusive desert truffle the shadow puppet plays of Cairo s street theater and the hammams of the medieval city The photographs are accompanied by extracts from the photographer s narration to his Nile film Fountains of the Sun and from his essays that have appeared over the years in Aramco World Magazin.


2 thoughts on “Photographing Egypt: Forty Years Behind the Lens

  1. says:

    Didn t realise he worked for the arabic press, good photos but wanted with comparisons of older and later shots.

  2. says:

    I was very disappointed with this extremely thin work If it were not the Christmas season I might have said I felt ripped off This large pamphlet consists of 48 pages of nice but unspectacular pictures, totaling maybe a hundred at most There was no commentary about where, when or how to shoot scenery or the monuments From the title I expec

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