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Summary ✓ PDF, DOC, TXT, eBook or Kindle ePUB free ´ OLIVA F. REINA

Rsued the traces of the passion of each one of the people portrayed traces that we can see on the faces in the hands in the looks in the spaces and the things that surround the protagonists John Berger speaking about Paul Strand s portraits praised his ability to invite narration so that the person was wishing to say I am as you are seeing me But as the same writer states this is complicated than it seems I am including everything that has made me be this way In the photographic work of Oliva F Reina being is linked to doing because of our Homo faber condition according to the Aristotelian intuition that the end of life is a mode of action It is not the improvised capture of an instant but the search for that decisive moment that magical punctum about Roland Barthes was talking that discovers some hidden truth of the portrayed Barthes himself said that a photo is always. weekend-language-presenting-with-more-stories-and-less-powerpoint each one of the people portrayed traces that we can see on the faces in the hands in the looks in the spaces and the things that surround the protagonists John Berger speaking about Paul Strand s portraits praised his ability to invite narration so that the person was wishing to say I am as you are seeing me But as the same writer states this is complicated than it seems I am including business-secrets-from-the-bible-spiritual-success-strategies-for-financial-abundance everything that has made me be this way In the photographic work of Oliva F Reina being is linked to doing because of our Homo faber condition according to the Aristotelian intuition that the the-vanderbeekers-and-the-hidden-garden end of life is a mode of action It is not the improvised capture of an instant but the search for that decisive moment that magical punctum about Roland Barthes was talking that discovers some hidden truth of the portrayed Barthes himself said that a photo is always.

Characters Traces of character

Traces of character

Invisible it is not it that we see and that is also what we feel in front of the work of this artist the artifice has disappeared in favor of a mysterious authenticityOutside the photo where the wind blows and there are noises that the camera cannot capture is the photographer She is dressed informally with wide pants shirt sport vest and sneakers it seems that she was going to take a long walk in the countryside or to watch birds The woman looks thinks calculates gives small orders keeps uiet breathes deeply transpires sighs There is an accumulated physical effort such as that of the carpenter who is shaping a table or that of the parturient at the edge of the birth That is out of the picture as a well kept secret but it is what there is before the precise shot that will offer us its still silent beautiful and uniue result the portraits of Oliva F ReinaNieves V zuez Rec. constantine-and-the-council-of-nicaea-defining-orthodoxy-and-heresy-in-christianity-325-ce effort such as that of the carpenter who is shaping a table or that of the parturient at the le-corbusier-meubles-et-interieurs-1905-ndash-1965 edge of the birth That is out of the picture as a well kept secret but it is what there is before the precise shot that will offer us its still silent beautiful and uniue result the portraits of Oliva F ReinaNieves V zuez Rec.

Summary ✓ PDF, DOC, TXT, eBook or Kindle ePUB free ´ OLIVA F. REINA

This is a photography book Artists s portraitsThe seated man contemplates the canvas with a new sketch Another man looks up at something like the edge of the moon over the black sky or a closed eyelid that dreams without eyelashes Behind a bonsai someone proposes a beautiful tiny universe Some woman s hands hold a brush and perch on some drawings other hands press the strings of a cello Behind a glass door on the threshold of the house that contains us a photographer waits with the camera in his arms his eyes lost in the unknown Another photographer seems to decide the framing What s the way we are Which gesture could define us What object deserves to be seen as an extension of ourselves Oliva F Reina tries to answer these uestions with her camera in this Traces of Character a photographic project it s the first time she uses color in her long career with whom she has pu.